In the forests of central Africa, there’s a plant that looks like it’s growing its own Christmas decorations. Shiny baubles sprout from between its leaves, shimmering in a vibrant metallic blue. Look closer, and other colours emerge – pinpricks of red, orange, green and violet. It looks as if Seurat, or some other pointillist painter, had turned their hand to sculpture.
But these spheres, of course, are no man-made creations. They’re fruit. They are the shiniest fruits in the world. Actually, they are the shiniest living materials in the world, full-stop.
They belong to a plant called Pollia condensata, a tropical metre-tall herb that sprouts its shiny berry-like fruits in clusters up to 40-strong. These little orbs are iridescent – they use special layers of cells, arranged just so, to reflect colours with extraordinary intensity. This trick relies on the microscopic physical structures of the cells, rather than on any chemical pigments. Indeed, the fruits have no blue pigment at all.
In the animal kingdom, such tricks are commonplace – you can see them at work on the wings of a butterfly, the shells of jewel beetles, or the feathers of pigeons, starlings, birds or paradise and even some dinosaurs. But in the plant world, pigments dominate and structural colours were thought to be non-existent are much rarer.
Silvia Vignolini from the University of Cambridge discovered Pollia’s secret at Kew Gardens in the UK. Her group, led by Ullrich Steiner, was scouring the plant world for species that bend light in interesting ways. Under the recommendation of the Smithsonian’s Robert Faden, Vognolini sought out Pollia, and with help from Kew’s Paula Rudall, she found a sample of the plant. It was collected from Ghana in 1974 but it’s still as vivid as ever. (Unlike pigments, structural colours don’t degrade, so the fruits will retain their sheen for decades to come. Some fossils still keep their iridescence.)
Under the microscope, Vignolini saw that the outer part of the fruit consists of three to four layers of thick-walled cells (labelled “1″ in the image below). Each cell contains yet more layers, made of cellulose fibres. The fibres all run parallel to one another, but each layer is slightly rotated against the one above it, producing an elegant spiral.
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Many animals use such structures to produce colour. This is why, like Pollia fruits, the wings of many butterflies and the feathers of many birds, can still look stunning after years in a fusty museum drawer. By finding the same structures in Pollia, Vignolini has uncovered a great example of convergent evolution, where species from different branches of the tree of life arrive at the same adaptations independently.
But Pollia fruits reflect more light than any bird or butterfly. Vignolini hasn’t just found the first strong iridescent colours in a plant; she’s found the strongest iridescent colours in nature. Or alternatively: “Ooh, SHINY!”
And the fruits have another unique trick. The distance between the cellulose layers varies from cell to cell. This means that the wavelength (and thus, the colour) of the light they reflect also vary from cell to cell. “Blue is the dominant one,” says Steiner, “but there’s the occasional red or green or yellow one. That’s why it looks pixellated.” Or pointillist, depending on whether you prefer your metaphors based on screens or canvas.
Why does Pollia have such bright fruit? Here’s a clue: you can’t eat them. Well, you can eat them, but there would be no point, because they provide next to no nourishment. They’re practically a dry seed-filled husk. Here’s another clue: Pollia grows in the same regions as another plant, Psychotria peduncularis, which also produces blue berries.
The team thinks that Pollia is mimicking the tasty blue fruits of its neighbour, tempting birds with the promise of tasty pulp, but rewarding them with nothing but seeds to carry. Alternatively, birds could collect the fruits to decorate their nests, or to use in mating displays. Either way, Pollia gets a free ride, and avoids having to spend energy on making sweet, nourishing tissues. It’s an evolutionary triumph of style over substance.